17 August 2010

Starting again!

I was asked where someone might start practicing technique, when they have not been doing anything for many years. The answer is both simple and slightly tricky at the same time. I have three general and three specific suggestions for you to consider.

Three General Suggestions

First, start moving.
Do anything. Walk your dog. Take your loved ones for a walk around the block. Walk up the stairs of your home instead of shouting upwards. Park five cars further in the car park. The rule is this: Your start has to get you going but not be so hard as to cause you to have to take time off your new exercise plan to recover. We find this often in people that have renewed motivation to start running. They are ‘pumped’ to start, so on the first day they run until they feel that they exercised. Yet, the next day they are so sore, that they have to take two days to recover from their first run. This is not the way forward. Start slow, move and feel good about what you have done. Exhaustion is not your indicator for exercise. Instead, begin by moving more than usual. The small beginning will systematically become longer and more intense. This will assist you in staying motivated.

Secondly, get a partner.
Training is always easier with a friend. Sweating alone is twice as hard when you can’t wipe your sweat one someone else (hehe). They will keep you going when you don’t feel like taking the time on a particular day. You will also do the same for your partner. Training with others also works out wonderfully when you are unsure of a technique. Communal memory is most often better than any one person alone. Free movement and improvisation is also 100% more effective when you have others to draw from.

Thirdly, techniques are like old friends.
Your previous training is not lost. Your technique has simply been put away and needs to be dusted off. That also means that they might feel awkward when you do them again. Allow yourself some getting use to again. You know their names and they are in your body, simply give it some time. Resist frustration with your body and the feeling that you are never going to be as good as you were. Certain realities become clear with a lot of training, but you are not at a place in your new program where you will know what those are.

Three Specific Suggestions

First, start with a light warm up.
Warm up is essential, no matter whether you are practicing every day, or have not done anything in years.  Start with something that gets your heartbeat up and keep going for at least 6-10 minutes. Fight the tendency to want to start with stretching first. After your cardio warm up (try jogging, jumping, skipping rope) slow down for a stretch. To make it super simple, start with your head and work your way down. Remember to rotate all the limbs, and do ‘stretch and hold’ positions for 8 counts. Don’t ‘bounce’ in your stretches (reaching your end point and then pulling away, and repeating the same back and forward movement in quick succession). Allow yourself to spend about one third to half of your beginning program doing warm-ups.

Second, alignment is your light.
Instead of jumping into hand positions or working through the elements, start with alignment. The reestablishment of a good alignment is essential. All stylization, and suspension of movement starts here, so you can feel good about starting with alignment as well.  Start with the tension-relaxation relationship of your body’s center axis. Focus on building the body up like bricks in a wall, and like bending the center axis like the sections in a train. Experience how your breathing, bone alignment, and muscle fitness influence each step. Hereafter, move to isolations as they relate to your alignment.

Third, remember the feeling.
As you start to move you might find it easy to tell yourself that you feel uncomfortable. Allow this initial awkwardness and actively reaffirm the fact that you know this technique. Actively prompt yourself to think of the movement as ‘easy’. This mental framework will assist you to reconnect with what you already know about the technique. When at last you start to ‘remember’ how it felt, you will be well on your way to a great time in the studio, backyard, or living room.

A last word for all of you who might give this a try, remember Marcel Marceau’s encouragement to old and new students alike:
“It is not bad for a first time.”

16 August 2010

August Technique II

Placement Patterns - Modèles des placement
by Theo Williams

Foot placements refer to the placement of the foot or how the foot touches the ground. The placement patterns of the foot refer to the way in which the foot makes contact with the floor. Even though there are direct correlations between the foot positions and the foot placements, the contact with the ground ads an element that positions of the foot does not include. There are six placements within our standard technique syllabus. However, we won't post pictures of the positions here. I believe their names are sufficient enough for now.

1.     Pointe - Point
2.     Demi-pointe – ‘Demi’-point (or ball of the foot, or French ‘Bail’)
3.     Plat - Flat
4.     Demi-plat – ‘Demi’-flat
5.     Talon - Heel
      6.     Arche - Arch (or hollow foot)

August Technique

Pentagram hand (also known as 'fingertip hand', or  even 'standing fingers' hand)

The fingers position looks quite similar to Decroux's shell hand or Marceau's grapefruit/shell hand. The fingers are straight instead of curved. It is often used in the identification of the wall, when the hand first makes contact with the wall, before the hand pushed through for the touching of the wall. It is also used in squid hand.

Remembering choreography: The hand used in Storyteller by Anxiety, when he/she touches their fingertips together.

Small variations seen: More closed, like standing on a table, and more open where all the finger prints can touch an paper without the palm touching.

30 March 2010

Jonah


We have a wonderful friend in Pastor Paul Otoko (Director of the Institute for Indigenous Studies). As a chief of the Micronesian people, and pastor to First Nation Peoples, he has taught us that God imparts to us from three directions- the sky, the earth, and the sea. He asked us to present a piece at the Deep Sea Canoe APPA Conference during the week of July 12-17, 2009.  The story of Jonah immediately came to mind. I wanted to choreograph something with the sea as theme for a while now. This gave me a chance to develop a piece that would use images Pastor Otoko's Micronesian friends and all the other delegates would be familiar with.

I hope you enjoy this full length version of Jonah, performed by Theo & Jolie Williams and the students of Innovo Conservatory of Physical Theatre.
-Theo Williams

(CLICK HERE TO VIEW IT)

Choreography Details:
Choreographed and Directed by Theo Williams, co-directed by Jolie Williams. Performed and recorded in June 2009 in Los Angeles, California. This piece portrays the biblical story of Jonah, chapters 1-3.

12 February 2010

Be Mime Valentine

It is that time again...Valentines Day!

We, Jolie and I, was asked to participate in a short film in February 2009. Eric Reinig (e.rhino productions) directed, shot and edited this silent film for a film festival/class he was doing. His film won the event. Music was done by Brent Bain. Eric's goal was to create something timeless. Please feel free to leave Eric feedback.

Click 'here' for You Tube.